Inside Lightroom 2: The serious photographers guide to Lightroom efficiency

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I remember using ASE for their editing plugins a few years ago, so keen to have a play around with their latest editor.

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Affinity is on the list too. It is a good alternative to Luminar. Thank you for your great work!!! Ah thanks Steve — very interesting. Fujifilm simulations are something that a lot of image editors struggle to replicate well. Will have to have a play! Best Lightroom Alternative. Many others started to look elsewhere… If you're in a hurry, check out my top pick! Table of Contents. Mark Condon. Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit.

Mark Condon on August 13, at am. Adrian V on August 13, at am. Jon on July 21, at pm. Danny on July 19, at pm. Mark Condon on July 21, at am. MikeG on August 12, at pm. Dan the Photo Man on June 27, at am. Mark Condon on June 27, at pm. Aubrey on May 31, at pm. Mark Condon on May 31, at pm. Thanks for the feedback, Aubrey — glad that set up is working for you. Jessica on March 26, at am.

Mark Condon on March 26, at am. What is it exactly that you like about PhotoWorks, Jessica? Jessica on April 15, at pm. David on March 23, at pm. Mark Condon on March 25, at am. Kerry on February 24, at am. Mark Condon on February 26, at pm.


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Mark Condon on January 21, at pm. Dmitriy Krasitsky on January 4, at pm. About free alternatives, — try RawTherapee. Darren James on January 4, at pm. Thanks again. Mark Condon on January 5, at am. Steve on December 20, at pm.

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Mark Condon on December 21, at am. Ah yes! I need to get hold of a copy to review — you a fan of ASE, Steve? Steve on December 21, at pm. Mark Condon on December 24, at am. Landscape Photography: Tropical Scenes with Justin Reznick Capture the essence of lush, tropical landscapes, foliage, and other scenes of nature.

Learn how to choose the right gear, protect your equipment from the elements, photograph tropical sunsets, trees, plants, and more. Pixel Playground with Bert Monroy Take a minute recess and join Bert Monroy for one of many fun, self-contained projects in Photoshop or Illustrator. Infrared Photography: Nature and Landscapes with Justin Reznick Learn how to create surreal landscapes and foliage photos using an infrared filter or an infrared-modified camera and post-processing techniques in Lightroom and Photoshop.

Underwater Photography: Wide Angle with Deke McClelland Learn to capture sweeping underwater vistas with this deep dive into wide-angle underwater photography. Landscape Photography: Autumn with Justin Reznick Capture the beauty of the most colorful season with this collection of shooting and post-processing tips from landscape photographer Justin Reznick.

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Taz Tally takes you on a tour of options in Adobe Lightroom, explaining potential uses for each option along the way. Learn how to cater Lightroom Classic CC to meet your needs.

How to Improve Lightroom Classic CC Performance – Photography Tips - Finding the Universe

Discover custom settings you can use during import, in the Library module, in the Develop module, and during export. Shooting and Processing Panoramas with Richard Harrington From holding the camera to stitching the shots, learn how to turn a series of separate shots into beautiful seamless panoramic photos. Creating Degree Panoramas and Interactive Tours with Ron Pepper Learn how to shoot and develop stunning degree panoramas and interactive virtual tours.

Get shooting tips and post-processing tricks for Lightroom and Photoshop. Learning Tethered Shooting with Richard Harrington Connect your DSLR camera to a computer, an external monitor, and even an iPad or mobile device, and open up a brand-new world of image-making opportunities. Photo Archiving: Preserving Family Memories with Erika Thornes Learn photo storage and archival techniques for preserving your best shots and sharing them with others—for today and for future generations. Unlimited Access Choose exactly what you'd like to learn from our extensive library.

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LIGHTROOM TUTORIAL — How to Import Photos + Tips

We were unable to submit your feedback. My largest catalog has some I have noticed that if you select All Images, Capture One Pro will start going through them all and building the previews which certainly takes some time. One solution to having a big, slowish catalog can be to split it up in a few smaller ones. Since you can have more than one catalog open at a time, that solution might not have much drawback, depending on your workflow.

If it takes a long time to open a catalog, then try to select a subset of images by choosing one of your Album or folder before closing Capture One Pro the next time. Very helpful article. I would understand if this camera can compete with what PhaseOne manufacturing… but it very far… on the different side… As I heard during a presentation this camera, Fuji said they in process of discussion with PhaseOne as many of potential users has been asking about Capture One Pro support… and Fuji, ta make any support easy designed this camera with CMOS sensor…instead of X-Trans… And Adobe is launching support in coming update.

Irritating that Phase One prefers a walled garden when it comes to tethering. If I have images I want to keep in LR, but also wish to create a second set with C1, must I duplicate it all, first and then import? Yes, you can definitely use both Capture One Pro and Lightroom on your images without duplicating them. It is as simple as keeping all of your images in the folder structure they are in now, and then import those you want into Capture One Pro.


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Capture One Pro cannot affect the edits you do in Lightroom — or vice versa — because the two programs maintain their own, separate databases to keep track of things. In other words, any image adjustment you apply in Capture One Pro will never mess with your edits in Lightroom. However, if you update metadata like star ratings and keywords in Lightroom after you have imported the images in Capture One Pro, you can transfer them easily by the XMP-file.

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I hope that this answer your question. Thank you so much. This information is clear and the last piece of the processing puzzle. I will be ordering C1. Great support, here. I have many old scanned negatives and positives that I am still using. They are in my Lightroom catalog, merged with my newer raw digital images. In Lightroom I have the same adjustment capabilities with both my digital images and my scanned film images. That is what I need before I can switch over completely to CO Regarding the ability to do image adjustments on TIF files, you need those to be saved in the RGB format in order to adjust exposure, contrast, colors and the like.